Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Valentin Serov
Bathing of a Horse

ID: 86020

Valentin Serov Bathing of a Horse
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Valentin Serov Bathing of a Horse


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Valentin Serov

Russian Impressionist Painter, 1865-1911  Related Paintings of Valentin Serov :. | Portrait of the Princess Olga Orlova | October. Domotcanovo | Peter the Great Riding to Hounds | Portrat des Kunstlers I. I. Lewitan | Mika Mo Morozov |
Related Artists:
WC Piguenit
1836-1914
Pietro Fragiacomo
(Pirano deIstria (Trieste), 1856 - Venice, 1922) was an Italian painter. Born at Pirano deIstria near Trieste, Fragiacomo moved with his family to Venice, where he enrolled at the Academy of Fine Arts in 1878 after a period as a worker in Treviso. He then abandoned his studies barely one year later to devote himself more freely to painting from life, often in the company of his friend the painter Giacomo Favretto. He won a bronze medal at the Universal Exhibition of 1889 in Paris and took part in the Munich International Exhibition of the same year, as well as later editions. Drawing inspiration from the Venetian lagoon and always characterised by a crepuscular sense of nature, his landscapes took on Symbolist overtones at the end of the century. He won the Prince Umberto Prize at the Milan Triennale of 1891 and was a regular participant from 1895 to 1922 at the Venice Biennale, which held a solo show of his work in 1910 and a posthumous retrospective in 1924.
Thomas Girtin
English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms






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